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Renovation parish church St. Johann

Client
Katholische Kirchgemeinde Rapperswil-Jona
Task
Renovation parish church St. Johann
Staff Members
Frank Roskothen, Andri Pfister
Status
approval planning 2025 / implementation 2026

The last renovation of St. John’s parish church took place around 50 years ago. As part of a liturgical renewal, design elements from the last renovation are to be reversed, the church technology revised and the organ replaced as scheduled.

Rapperswil has been an independent parish since 1253. Previously, the church was under the authority of the Pfäfers monastery near Ragaz. The current neo-Gothic church with its mismatched Romanesque-Gothic towers was largely rebuilt after a devastating fire in 1882. The first church in the shadow of the castle was built on behalf of the Count of Rapperswil at the time the town was founded around 1229.

Excavations carried out during the renovation in 1970/71 revealed a Romanesque hall church with a straight choir wall, to which parts of the cemetery were attached. In 1383, the church was extended by 8 metres towards the castle and raised. After 1441, the Romanesque north tower of the hall church was joined by the Gothic south tower, which was slightly larger. The Gothic renovation in 1493-97 (three-sided choir with ribbed vaulting, tracery windows) was made possible by fundraising campaigns in Habsburg cities and a bequest from Countess Gutta von Reinach-Wertheim. The Renaissance wing altars in the side chapels, created after the iconoclastic Reformation in 1531, were spared from the devastating church fire on 30 January 1882, as they had been moved to other chapels during the Baroque period. The church treasure, which was secured in the tower vault, also survived the fire: masterpieces by the Rapperswil goldsmiths Breny, Dietrich, Domeisen, Büssi, Ysenschlegel and others.

(Peter Röllin, Kulturbaukasten Rapperswil-Jona, 36 museums under one roof, pages 48, 49)

Architect Xavier Müller, Rapperswil (advised by art historian Johann Rudolf Rahn), largely rebuilt the church based on the destroyed church: raising the preserved towers by 1.20 metres, choir with neo-Gothic star vault, extension of the nave by several metres, roofing with double-hipped wooden ceiling.

(Peter Röllin, Kulturbaukasten Rapperswil-Jona, 36 museums under one roof, pages 48, 49)

The neo-Gothic altars and pulpit were created by the Markgraf studio in Munich. The church was reconsecrated on 6 October 1885. The large chandelier was supplied by Benziger & Co. Einsiedeln in 1894. Renovations took place in 1959-60 (exterior renovation, new bells), 1971-73 and 1981. The ‘Brotherhood of St. Cecilia and St. Catherine’ (Caecilia Music Society), founded in 1737 by a group of ‘gentlemen musicians’, still provides high-quality church music today. Its repertoire also includes compositions by the Rapperswil-born church musician and composer Carl Greith (1828-87), cathedral music director in Munich.

(Peter Röllin, Kulturbaukasten Rapperswil-Jona, 36 museums under one roof, pages 48, 49)